When I think about participatory culture in my personal life, I know I am pretty actively involved in it. I see pictures of cool hairstyles on Facebook and adapt them to my daughter's head. I watch youtube tutorials on crochet patterns and then make my own version of them. I'm inspired by online recipes all the time, though you better believe I'm using parsley instead of cilantro (you can keep your nasty soapy-tasting herb, Interwebs!). I post pics of what I've made on social media and generally link to the websites that inspired me in the comments. At this point, going to Google images is one of the first steps in my creative process for most projects I undertake, from Halloween costumes to craft ideas for my daughter's classroom parties to illustrations for my lecture slides for my composition classes. It's a little jarring when I find I have to actually pay for instructions or inspiration, though I am sometimes motivated to do so.
I bought a kit that came with an instruction booklet and materials to make this guy and some of his friends last year. |
This mermaid blanket, on the other hand, I adapted from a YouTube tutorial. |
One of the struggles I've faced that has kept me from fully engaging in this sharing culture, however, has been a lack of access to certain technologies. Every time I post a picture of a fancy braid I've done in my daughter's hair, someone comments that I need to have my own YouTube channel to teach others how to do it. I'm not at all opposed to sharing my expertise and am flattered that other people are interested in this hobby of mine, but I lack the camera crew, or technology that could stand in for one, to actually enable me to film myself braiding and then edit it for mass consumption.
Bet you wish you could see how I made this happen! |
I think this struggle of access and investment is at the heart of the issue of pursuing an open culture in education. On the one hand, when we already have the necessary skills and access to technology, we teachers are pretty inclined to share. The birth of the meme below is a good illustration. It started as something that I said on the fly in class as I tried to explain to my students what their essay introductions needed to accomplish without devolving into the rigid structure of the five paragraph theme. My students responded well to it, and I thought it was funny, so I shared my illustration on Facebook because I thought it might prove useful to one of my teaching friends, or at the very least, entertain them. One of my friends and colleagues was so entertained by it that she deemed it worthy of a meme and spent a few minutes turning it into one, which she then shared as a comment. My friends loved it and wanted to share it, so we decided to make the image public. I'm told it was even printed off and now hangs in a couple of university writing centers around the country.
Look Ma, I'm a meme! |
That ease is important to me, not because I'm lazy, but because I have so many demands on my time and need to use it wisely. My effort has to match the payoff, at least to some extent. This meme is fun, but it has yet to lead to a hiring committee deciding to put my CV and letter of application into the interview pile. I've spent countless hours in the last year revising part of my dissertation into a chapter for an edited collection, however, because I'm hoping it will one day do just that for my job prospects. I fear that not just tenure committees, but hiring committees, would view any online sharing of work, no matter how rigorous or grounded in research, as essentially as frivolous as a meme and therefore not worthy of academic consideration. For those who have tenure, it may be possible to work from within to change the expectations of the system, but for those of us still trying to break into full-time or tenure-track positions in higher education, being completely unselfish about sharing our expertise in open formats (that we may need to spend considerable time/effort/finances learning) could lead to us not being able to do pesky little things like pay our bills and feed our children/selves.
I'm curious how such open-source content creation is viewed in K-12 settings in terms of hiring and promotion. Is there space in a typical teaching portfolio to showcase such materials? Does the collaborative nature of so much of it raise concerns of plagiarism or padding ones resume?
I would imagine that districts would love the flip side of the equation, though. Textbooks are such a financial investment, yet they are so often obsolete by the time they are produced, distributed, and used for a few years. Then again, maintaining the technology that students use to access "free" content online is also expensive and a constant battle against becoming obsolete. Additionally, the digital divide or participation gap is a real problem in school districts with high poverty rates.
I guess, overall, my thoughts are that we are moving as a society towards a sharing economy and that is going to impact our classrooms. While it is a boon for teachers to have access to all that their peers are willing to share, that access doesn't automatically erase the obstacles to education that are endemic in our current education system, which is built on the exploitation of underpaid instructors and which perpetuates the class and segregation lines we have developed over our history as a nation. Still, I believe this open and participatory impulse is a move in the right direction and I would like to contribute to it more as my skills in doing so increase (here's hoping through this course!).